top storyBy Ellen Wolff
In the hallway of a former bicycle factory outside Vancouver, British Columbia, a bloody corpse lies on a gurney, swathed unceremoniously in plastic wrap....

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Beta Sight: Aviom Pro16 SeriesI have been quite fortunate in my career, having had the opportunity to work as the production sound mixer for films such as Titanic, Austin Powers, Kill...
Beta Sight: AJA Kona 3Based in Minneapolis, Splice Here covers the postproduction Spectrum -- from advertising, broadcast networks, and corporate clientele... Products: Bright SystemsWho likes to disk optimize? Anyone using Windows knows to plan for the regular defragmenting of drives. The size of media files used in post storage systems... |
Step by Step: Eagle EyeEagle Eye is all about the art of a nonstop chase. Director D.J. Caruso keeps upping the ante as the film’s protagonists try to escape all manner of pursuers. Worst among these pursuers is a missile-bearing drone aircraft that dogs the protagonists even after they drive their car into a tunnel. ...
Collaborative FlashMarc Abraham had a lengthy track record as a movie producer long before he jumped into directing Flash of Genius, but he had no directing experience. Thus, no one was more surprised than Abraham when his veteran cinematographer, Dante Spinotti, essentially treated him “as though I were David Lean, even though it was my directorial debut.” ...
Step By Step: Tropic ThunderComic timing is a phrase usually associated with actor pratfalls rather than the effect of a CG helicopter crashing to the ground. But for the DreamWorks/Paramount... Editor's NotesThis issue represents a busy month in the field. For our cover story, Ellen Wolff went to the Sanctuary set in Vancouver, British Columbia, to see the... |
Q&A with Mind-Made MediaMind-Made Media is a Los Angeles-based independent production company started by two indie and big-budget filmmaking veterans: Alexandra Austin and Mike... Editor's NotesWhen we started to think about this year's Siggraph issue, our reporters' ideas came from a more personal direction than usual. Notably, our longtime...
Fade to Black: Jim Morris, ProducerProducer Jim Morris vividly remembers his turning point during production of WALL•E, the ninth film and ninth hit of the Pixar/Disney partnership... |
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