Millimeter July 2009
By Michael Goldman
Racing from one Hollywood postproduction facility to the next in the wee hours one night in early June, director Michael Mann and his colleagues wrangled the last major chore related to the theatrical release of Mann’s new gangster picture, Public Enemies...
By Craig Erpelding
Despite the shaky economy, 2008 was a landmark year for the videogame industry...
By Ellen Wolff
Ever since the success of Transformers for Paramount Pictures and director Michael Bay in 2007, expectations for the sequel have been high...
By Cynthia Wisehart
Cynthia Wisehart on millimeter's growing network...
By Jan Ozer
GridIron Software Flow went from "What the heck does this program do?" to "I can't live without this software" faster than any other program I've looked at in my 15 years of reviewing software...
By Kirk Balden, VFX supervisor and senior Flame artist at Smoke & Mirrors' New York outpost
When Autodesk Flare, the new companion software for Autodesk Flame and Inferno, was introduced at NAB Show 2009, Smoke & Mirrors was the first visual-effects studio to buy it...
By Dan Ochiva
After checking out some of the latest hardware and software at NAB Show 2009, you’ll have to admit that streaming live video has come a long way since the first efforts of a little more than decade ago...
By Dan Ochiva
Anyone involved in location production knows about choosing between powerful lighting rigs that need experienced gaffers to rig to power lines and less potent gear...
By Dan Ochiva
No matter that many have prognosticated the demise of Avid a number of times over the past few years, the reality is that a reinvigorated management team...
By Dan Ochiva
If you take flash RAM-based camera systems on the road, better be ready to back things up ASAP. The Codex Digital Transfer Station does just that...
By Dan Ochiva
Texas Instruments (TI) initiated a new era in projection with its development of digitally addressable DLP technology...
By Dan Ochiva
No big news here: Content owners, who once
had only a couple of potential distribution channels, now are faced with a multitude of expanding venues for their work...
By Kristinha M. Anding
Thomas Winston might get relatively close to bears in the wild, but he’s careful never to get personal. “When we go out, we don’t want the bears to acknowledge us,” he says of himself and his collaborators at Montana-based Grizzly Creek Films...
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Shooting Enemies
Game On
Step by Step: Transformers: Revenge of the Fallen
Review: GridIron Software Flow
Beta Sight: Autodesk Flare
NextComputing Pro HD and Kulabyte XStream Live 2.0
Arri M18
Avid Media Composer v3.5
Codex Digital Transfer Station
Viewsonic PJD6381
Managing Assets in the Digital Age
Fade to Black: Thomas Winston