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Sorenson Media Squeeze Beta Sight

Wedding and event videography is a field that is becoming increasingly sophisticated as we move further into the online age.

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Best practices for large live events online with Inlet Technologies & Adobe
Best practices for large live events online with Inlet Technologies & Adobe

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Top Facilities Resource ReportTop Facilities Resource Report
Check out the September 2009 Top Facilities Resource Report from millimeter and Reel-Exchange.com.

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Digital Content Producer Webcast SeriesThe Latest on Wireless Mic Systems
This presentation is a must-have checkup for anyone using wireless systems or planning on buying them.

Leitner's Cinematography Corner, No. 6

For projects requiring high shooting ratios in the early 1980s, you could shoot 16mm or try on for size one of those newfangled "camcorders" from Sony, Panasonic, or Bosch...


Leitner's Cinematography Corner, No. 5

Stereoscopy, or 3D imaging, has been around as long as photography, at least since1840, when the English inventor Sir Charles Wheatstone, who first explained binocular vision in 1838, fashioned his first stereoscope for displaying photos in stereo pairs...


Sony PDW-F800 Review

Sony announced its latest CineAlta shoulder-mounted 2/3in. camcorder, the PDW-F800 ($42,700, no viewfinder), last April at NAB, little more than a year after the PDW-700 was introduced, and production models are now available...


Leitner's Cinematography Corner, No. 4

Cinema is scale. Last spring, I saw again Hitchcock’s gothic thriller Rebecca on the towering 40ft.-tall screen of a classic movie palace, Loew’s Jersey Theatre in Jersey City, N.J....


2012 Step by Step

Director Roland Emmerich was famously destructive in the civilization-in-peril movies The Day After Tomorrow and Independence Day, so when he called 2012 the biggest visual effects movie he's ever done, that's saying something...


Optimizing Encoding Performance with Apple Final Cut Pro, Part 2

If you have a multiple-processor computer, you can use Apple Qmaster to help spread the encoding load over those multiple processors, which can dramatically boost encoding performance...


Coloring a New Dimension

About a year before Colorist Stefan Sonnenfeld here at Company 3 performed the color-grading work on Disney's 3D feature G-Force, a group of us under him started preparing for the industry's movement toward 3D production...



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